Into the Twenty-Sixes

All the best to you and yours

December 5th, 2025

Dear Friends, Strangers, and Lovers:

…I’m going through a bit of an ordeal at work that’s put the brakes on some releases moving forward. That being said, I continue to write and record daily. I’m trying to move beyond my current sound as what I enjoy listening to now is sounding quite different to the music I’m creating. I would like to close that gap while improving my skillset. I would like to create better vocal melodies and continue to write with groove and poetry.

My current plan is to release 3 albums that I’ve created with three guitarists. I’ve tinkered with them over the years and feel that they still represent something I can stand behind, even if they’re not the sound I’m pursuing in the future. They should be out by June of ’26. In the meantime, I’ll continue to play live in the NYC area and create some new video content. Hope to see you in the new year.

Happy Holidays,

Bob

Yet Even More New Blahblahblah

Tell them what you really feel.

Over the past several years, my friend Dr. Michael Rose has had me guest at his music appreciation class at Bronx Community College to speak about songwriting. I distilled some of the points I'd make, favoring the ones I don't hear other songwriters speak to. They're now available as a set of short clips on my youtube channel, shot as always by the fantastic Pavlo Terekhov. 

PowerPuff Features

More blahblahblah

I remember 20 years ago feeling quite used when a friend asked me for my poetry to garnish his gateway/hellhole website bullshit. Now I jump at the chance to be side salad. 

Ladies and Gentlemen

The Trio is Here

...just returned to playing live...it's sounding great with Leon Gruenbaum and Shawn Banks...see you soon! Photos by Pavlo Terekhov. 

Post-Punk.com

Long-Ass Interview With William Alexander Baker

Post-Punk.com took the time and asked the right questions. Click the button below for more. 

Press Release: Three new releases with Shriekback streaming on 06/06/25

Working with Idols. Working & Idle.

Bob Gaulke is set to release his first in a series of collaborations with the band, Shriekback (currently composed of Barry Andrews, Martyn Barker, and Carl Marsh) to streaming on July 6th, 2025.

The three albums, “(S)words”, “(detail)”, and “When Are These Not Difficult Times?”, are mixed by Martin Scian, and represent the fruit of several years of file sharing and overdub sessions that stretch back over a decade.

Spurred by the band’s crowdfunding offer to commission an original piece of music for its fans exclusive use, Gaulke saw the band and raised the ante by attempting to create a new original work from a commission of five songs. Although this plan was eventually set aside, it set off a virtual collaboration, primarily with Barry Andrews, that continues to this day.

“Shriekback have been a part of my musical DNA since 83-84 when I was a teen and first heard “All Lined Up” on college radio in Rochester, NY. Their sense of musical and conceptual adventure seemed to know few boundaries. A song could be made up of a swinging rope or Gregorian chants…but it was always funky. There always seemed to be an active sense of almost scientific exploration going on which kept me listening over the decades. When I saw this opportunity to collaborate with its members in a novel way, I jumped at the chance.”

Gaulke currently teaches public school in the Bronx and has managed to release more than 30 short albums to limited acclaim and audience. He often blends world traditions with a post-punk foundation to achieve a personal fusion of elements. He cites John Hassell and Brian Eno’s concept of “Fourth World Music” as somewhat emblematic of what he hopes to achieve, “We’re all stuck at home with the world at our fingertips. I think my songs on the template I use sort of reflect that sense.”

“I like short songs and albums. After twenty minutes, I sort of get bored,“ he reflects. The sessions naturally became albums as I sort of write to a story arc before I pick up a guitar or bass. “(S)words” (pronounced “swords”) were more guitar-driven. You can hear echoes of old-school post-punk (Big Audio Dynamite, Wire, and Shriekback, natch) in the writing. The songs were written around a sense of lost personal agency with the first trump administration. It seemed like a good moment to finish them up and put out the album.”

“By contrast, the songs on “(detail)” were all written on the bass. It was my chance to pretend to be Dave Allen (RIP), whom I actually had the pleasure of meeting once or twice when living in Portland. My original plan was to get him playing on these sessions, but things moved in a different direction.”

Both albums feature editing, backing vocals, and guitar work from Dutch singer-song writer, Hans Croon. “Hans was another teenage hero of mine who’s since become a friend and collaborator. We had worked together closely on an earlier project (“The Record Man”) and his work as a co-producer was really important when trying to make sense of a galaxy of overdubs and crazy ideas.”

“And the secret sauce is the Brazilian rhythm section of Gil Olivera (Lucas Santtana) and Paulo LePetit (Tom Ze). Then know how to move a groove.”

Completing the triptych is “When Are These Not Difficult Times?”, a 4-track e.p.. “These songs all had a particular cast that seemed to point to a shorter format. A bit more reflective songwriting and different subjects. A bit of a chaser after the two main courses.”

The three releases, “(S)words”, “(detail)”, and “When Are These Not Difficult Times?” will debut on streaming on June 6. Gaulke plans to be active in the NYC area this summer playing from his catalogue with Leon Gruenbaum (Keyboards) and Gil Oliveira (drums).

(detail)

Shriekback, Part 2

(detail)

These albums are getting to be like aged cheeses or something; I can’t remember my state of mind when writing these songs. It all felt urgent at the time.

“(detail)” is another album done in conjunction with half of Shriekback (Barry Andrews and Martyn Barker), Gil Oliveira (Lucas Santtana, Novos Baianos), Paulo LePetit (Tom Ze) and Hans Croon (The Dutch). These represent the quieter side of the sessions that produced “(S)words”, but might be thought of as a bit more…contemplative.

The artwork is done by the marvelous Claire Zakiewicz, who knows a thing or two about spontaneity and art.

I hope you enjoy these weird grooves in your ears.

Best, 

Bob 04225

Dave Allen

You're the bass line

There hasn’t been a time when I’ve picked up a bass guitar and haven’t thought, “What would Dave Allen have done?” Although he first came to prominence with Gang of Four, it was his lines in Shriekback that blew my teenage mind. I’ve always felt a production tickles the ears when you can’t tell exactly what instrument is playing what. His bass almost sounds like steel pan in the first few bars of “My Spine is the Bassline” and he made “Jam Science” rise above its drum machine constraints to sound vital…”Oil & Gold”, particularly its A-side, scaled heights of post-punk glory that the band has rarely bettered. When I found that he’d moved to Portland when I was living there (“Why would anyone do that?”), I quickly tracked him down and talked his ear off. I’d hoped to effect a virtual reunion with some of his other bandmates via my own work, but it was not to be. Since that meeting, I’ve done work with several of his former compatriots, but I’ll always acknowledge the stylistic path he blazed for me and so many more of my generation.

 

#shriekback

"Obviously" Streams April 1st