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0:00/3:01
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Loving Strategies 2:520:00/2:52
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Mutual Savings 2:490:00/2:49
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Familiar Solitude 2:120:00/2:12
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Too hot to move 3:000:00/3:00
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On Vibrate 2:320:00/2:32
Now Screaming on all Flat Forms
Hunger Taken for Thirst
“Hunger Taken by Thirst” now streaming.
I saw Ivan Julian on stage with Shriekback on their 86 tour of “Oil & Gold”. Couldn’t take my eyes or ears off of him, as he was bouncing and weaving; guitar god version of Yannick Noah, smashing every note into the concrete. Formative hearing these sheets of sound over grooves, entangling the DX-7 onslaught by Andrews and Halliwell. Nineteen-year old brains were on wide-screen record.
Internet-less in that era, information was scarce; moving via British weeklies, mags, vinyl, and tape. It’d be a few years before I’d hear the work with Voidoids that made his name. But I can still see that Syracuse night in my mind now.
Decades later, I’m teaching in NYC, writing and playing; doing the two-borough hop into Brooklyn where Javier Hernandez-Miyares is holding court at 17 Frost. An art gallery performance space connected to Ivan’s studio, Super Giraffe Sound.
I peek Ivan occasionally; silent, deep in thought. I’m too damn shy to gush elegies. Until the work makes things happen.
“Hunger Taken for Thirst”. A meditation on how desire confuses us. Tunes written between Salvador, Yokohama and Bronx, scratched out with eccentric chord extensions, Brazilian funk influences, and spoken word. Just some every day culture clashes, furtive romances, and random psychedelic musings of some dude with my name and face grasping at straws. I started building the arrangements in ProTools. There was a gap in the sound the size of a countrapuntal-Picasso -of-post-punk.
Julian’s guitars go to places I couldn’t see by myself. Ripping dimensions up; painting skyscrapers orange; refusing to connect the dots. I just wrote and mumbled the songs, sketched on a napkin. Ivan and Co. sculpt the marble.
“This reminds be a bit of “Fresh” by Sly and the Family Stone”, he suggests, as he sends me the files. I am flattered and humbled by the comparison. I wish I had the funk and the costumes. The parts are so hot, I have to let them cool on the sill for another decade. You can now touch the still-molten pan and serve yourself.
A meditation on how we misunderstand ourselves and the world. Notes from the underdog, wrapped up in sounds of the night. Trumpets by Rochesterian Emily Champion; keyboards by Leon Gruenbaum; bass by Paulo LePetit, and drums by Gil Oliveira. A stellar group that exists only on my fantasy roster. Guitars by Ivan Julian.
Summer Plans
The end of the rock age
I just turned 59 and am thankful to the goddesses for keeping me thin with hair. I've got too many albums waiting to be released (60) and so I thought I would just put out three this summer made with some rock guitar gods.
The first came out shortly after my birthday, "Habitus" with the great Steven Ulrich, he of Big Lazy and This American Life.
Next out, "Hunger Taken For Thirst" follows in July with Ivan Julian (Richard Hell, Alejandro Escovedo, Matthew Sweet); September will bring "Exactly!!!" onto streaming, with Junior Tostoi (Lenine).
I've enjoyed the luxury of having some time to let these albums cool on the window sill and try to attempt vocals that don't make me cringe in embarrassment listening back.
I'm happy with the songs and hope you'll enjoy them as well.
Stay cool.
Bob
Juneteenth, 2026.
Photo: Pavlo Terekhov
Into the Twenty-Sixes
All the best to you and yours
December 5th, 2025
Dear Friends, Strangers, and Lovers:
…I’m going through a bit of an ordeal at work that’s put the brakes on some releases moving forward. That being said, I continue to write and record daily. I’m trying to move beyond my current sound as what I enjoy listening to now is sounding quite different to the music I’m creating. I would like to close that gap while improving my skillset. I would like to create better vocal melodies and continue to write with groove and poetry.
My current plan is to release 3 albums that I’ve created with three guitarists. I’ve tinkered with them over the years and feel that they still represent something I can stand behind, even if they’re not the sound I’m pursuing in the future. They should be out by June of ’26. In the meantime, I’ll continue to play live in the NYC area and create some new video content. Hope to see you in the new year.
Happy Holidays,
Bob
Ladies and Gentlemen
The Trio is Here
...just returned to playing live...it's sounding great with Leon Gruenbaum and Shawn Banks...see you soon! Photos by Pavlo Terekhov.

Press Release: Three new releases with Shriekback streaming on 06/06/25
Working with Idols. Working & Idle.
Bob Gaulke is set to release his first in a series of collaborations with the band, Shriekback (currently composed of Barry Andrews, Martyn Barker, and Carl Marsh) to streaming on July 6th, 2025.
The three albums, “(S)words”, “(detail)”, and “When Are These Not Difficult Times?”, are mixed by Martin Scian, and represent the fruit of several years of file sharing and overdub sessions that stretch back over a decade.
Spurred by the band’s crowdfunding offer to commission an original piece of music for its fans exclusive use, Gaulke saw the band and raised the ante by attempting to create a new original work from a commission of five songs. Although this plan was eventually set aside, it set off a virtual collaboration, primarily with Barry Andrews, that continues to this day.
“Shriekback have been a part of my musical DNA since 83-84 when I was a teen and first heard “All Lined Up” on college radio in Rochester, NY. Their sense of musical and conceptual adventure seemed to know few boundaries. A song could be made up of a swinging rope or Gregorian chants…but it was always funky. There always seemed to be an active sense of almost scientific exploration going on which kept me listening over the decades. When I saw this opportunity to collaborate with its members in a novel way, I jumped at the chance.”
Gaulke currently teaches public school in the Bronx and has managed to release more than 30 short albums to limited acclaim and audience. He often blends world traditions with a post-punk foundation to achieve a personal fusion of elements. He cites John Hassell and Brian Eno’s concept of “Fourth World Music” as somewhat emblematic of what he hopes to achieve, “We’re all stuck at home with the world at our fingertips. I think my songs on the template I use sort of reflect that sense.”
“I like short songs and albums. After twenty minutes, I sort of get bored,“ he reflects. The sessions naturally became albums as I sort of write to a story arc before I pick up a guitar or bass. “(S)words” (pronounced “swords”) were more guitar-driven. You can hear echoes of old-school post-punk (Big Audio Dynamite, Wire, and Shriekback, natch) in the writing. The songs were written around a sense of lost personal agency with the first trump administration. It seemed like a good moment to finish them up and put out the album.”
“By contrast, the songs on “(detail)” were all written on the bass. It was my chance to pretend to be Dave Allen (RIP), whom I actually had the pleasure of meeting once or twice when living in Portland. My original plan was to get him playing on these sessions, but things moved in a different direction.”
Both albums feature editing, backing vocals, and guitar work from Dutch singer-song writer, Hans Croon. “Hans was another teenage hero of mine who’s since become a friend and collaborator. We had worked together closely on an earlier project (“The Record Man”) and his work as a co-producer was really important when trying to make sense of a galaxy of overdubs and crazy ideas.”
“And the secret sauce is the Brazilian rhythm section of Gil Olivera (Lucas Santtana) and Paulo LePetit (Tom Ze). Then know how to move a groove.”
Completing the triptych is “When Are These Not Difficult Times?”, a 4-track e.p.. “These songs all had a particular cast that seemed to point to a shorter format. A bit more reflective songwriting and different subjects. A bit of a chaser after the two main courses.”
The three releases, “(S)words”, “(detail)”, and “When Are These Not Difficult Times?” will debut on streaming on June 6. Gaulke plans to be active in the NYC area this summer playing from his catalogue with Leon Gruenbaum (Keyboards) and Gil Oliveira (drums).